For me, inclusions are not just geological facts but metaphors: reminders that our own fractures, interruptions, and entanglements are what give us depth. They speak to difference as value, to the way disruption can become part of a greater whole. In this sense, inclusions point toward inclusivity, the idea that it is precisely what doesn’t “fit” neatly that makes something, or someone, extraordinary.
In Crossing Paths (Section C–C), crystalline architectures are translated into fractured grids of colour and pattern that gesture to human inter-connectedness. The work asks whether art can help us not only endure imbalance, but recognise beauty within it, to see instability, fracture, and inclusion as conditions for connection rather than collapse.
Within my broader practice, this piece sits between Elemento, which magnified crystalline interiors, and Bloom Break, which expands into archetypes of psyche. Together, they form a language of fracture and pattern that seeks to re-frame what is fragile or unsettled as vital, generative, and shared.